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Unit - I
Conceptual Framework of Comparative Literature
● 1. The Emergence of Comparative Literature
● 2. Difference/ Alterity and the Ethics of Plurality
● 3. Limitations of the Idea of National Literature
● 4. Theories of Interpretation
Unit - II
Literary Historiography
● 1. Sources of Literary History: Oral, Manuscriptal, Scriptal and Virtual
● 2. Approaches to Literary History: Integrationist and other models
● 3. Problems of Periodization
Unit - III
History of Comparative Literature
● 1. History of Comparative Literature : French, German, Russian and Tel Aviv Schools
● 2. Comparative Literature in India: From Tagore to the Present
● 3. World Literature: From Goethe to the Present
● 4. “The State of the Discipline” Reports
Unit - IV
Translation in Comparative Context
● 1. History and Politics of Translation
● 2. Translation as Reception
● 3. Problems and Promises of Translation in Multilingual Situations
● 4. Untranslatability and Silence
Unit - V
Poetics and Literary Theory
● 1. Indian Poetics: Sanskrit and Tamil
● 2. Perso-Arabic Traditions
● 3. Western Classical Literary Theory
Unit - VI
Indian Literature –I
● 1. Classical – Sanskrit, Tamil, Pali and other literary traditions
● 2. Medieval –Formations of Language-Literature (bhasha) Traditions in India;Bhakti, Santand Sufi Literature
● 3. Contact with West Asian, South-east Asian and South Asian literary traditions
Unit - VII
Indian Literature – II
● 1. Modernity as a concept
● 2. Colonial Modernity: Transactions with Western Forms and Literary Traditions
● 3. Modernity as Discourse: Multiple Modernisms in the Context of Various Language-Literatures
● 4. Discontents of Modernity: Literatures of Women, Adivasis, Dalits, Minorities and others
Unit - VIII
Literary Modes, Genres and Themes
● 1. The “literary” as a convention
● 2. Mode and Performativity: Tragedy, Epic and Novel
● 3. Genres: Theories; Taxonomy : Generic Markers and Transformations
● 4. Themes: Motifs, Myth, Archetypes
Unit - IX
Interdisciplinarity and Intermediality
● 1. Literature and Other Arts: Texts Across Mediums
● 2. Literary Studies and Other Disciplines
Unit - X
Literary Dialogues
● 1. Intertextuality, Parody and Pastiche
● 2. Re-writing in Diachronic and Synchronic Frames
● 3. Adaptation, Appropriation and Assimilation
Conceptual Framework of Comparative Literature
● 1. The Emergence of Comparative Literature
● 2. Difference/ Alterity and the Ethics of Plurality
● 3. Limitations of the Idea of National Literature
● 4. Theories of Interpretation
Unit - II
Literary Historiography
● 1. Sources of Literary History: Oral, Manuscriptal, Scriptal and Virtual
● 2. Approaches to Literary History: Integrationist and other models
● 3. Problems of Periodization
Unit - III
History of Comparative Literature
● 1. History of Comparative Literature : French, German, Russian and Tel Aviv Schools
● 2. Comparative Literature in India: From Tagore to the Present
● 3. World Literature: From Goethe to the Present
● 4. “The State of the Discipline” Reports
Unit - IV
Translation in Comparative Context
● 1. History and Politics of Translation
● 2. Translation as Reception
● 3. Problems and Promises of Translation in Multilingual Situations
● 4. Untranslatability and Silence
Unit - V
Poetics and Literary Theory
● 1. Indian Poetics: Sanskrit and Tamil
● 2. Perso-Arabic Traditions
● 3. Western Classical Literary Theory
Unit - VI
Indian Literature –I
● 1. Classical – Sanskrit, Tamil, Pali and other literary traditions
● 2. Medieval –Formations of Language-Literature (bhasha) Traditions in India;Bhakti, Santand Sufi Literature
● 3. Contact with West Asian, South-east Asian and South Asian literary traditions
Unit - VII
Indian Literature – II
● 1. Modernity as a concept
● 2. Colonial Modernity: Transactions with Western Forms and Literary Traditions
● 3. Modernity as Discourse: Multiple Modernisms in the Context of Various Language-Literatures
● 4. Discontents of Modernity: Literatures of Women, Adivasis, Dalits, Minorities and others
Unit - VIII
Literary Modes, Genres and Themes
● 1. The “literary” as a convention
● 2. Mode and Performativity: Tragedy, Epic and Novel
● 3. Genres: Theories; Taxonomy : Generic Markers and Transformations
● 4. Themes: Motifs, Myth, Archetypes
Unit - IX
Interdisciplinarity and Intermediality
● 1. Literature and Other Arts: Texts Across Mediums
● 2. Literary Studies and Other Disciplines
Unit - X
Literary Dialogues
● 1. Intertextuality, Parody and Pastiche
● 2. Re-writing in Diachronic and Synchronic Frames
● 3. Adaptation, Appropriation and Assimilation